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Lunch Hour Concert - March 2011
All societies of the Philip Sherlock Centre for the Creative Arts (PSCCA) on the UWI Mona Campus stage free lunch hour concerts during the school year for the benefit of the Campus Community. Panoridim uses this opportunity to showcase the student members of the band, both old and new. For the new members especially, the Lunch Hour Concert is their first major performance with the band. This year, with prizes and surprises facilitated through the Orchestra's Facebook page, many audience members were already in queue before the doors opened on March 31. The student band was larger than ever, with approximately 15 additional brand new players, who did an excellent job with their senior counterparts and fully entertained the packed theatre.
Giving music for Christmas
After having had a successful Christmas season at the Philip Sherlock Centre in 2009, UWI Panoridim decided to take the music to streets for 2010. Three venues were treated to free musical performances by the orchestra. On -- , the Orchestra drew a medium sized crowd in the Portmore Amphitheatre while others swayed to carols on the steelpan while carrying out their Christmas shopping. There was only standing room left however at Emancipation Park on -- when the Orchestra played to a full-sized gathering in the public space.
The final show saw the Orchestra going full circle back on the UWI Mona Campus, where, in conjunction with the Office of the Principal, a musical treat was prepared for staff and students. The entire event was free to the public and was sponsored by ICWI Limited.
PANFEST 2010 - Proceeds To Benefit Chest Hospital
Garfene Grandison, Gleaner Writer
THE UNIVERSITY of the West Indies Panoridim Steel Orchestra hosted its 2010 Panfest gala performance at the Philip Sherlock Centre, titled 'The Magic Drum'. Scheduled to run from July 2-4, the theatre was not packed to capacity at the beginning of the performance, which promptly started at 8 p.m. The audience members who showed up on time were welcomed by Tanny Shirley, chairman of the South east Regional Health Authority, who applauded the efforts of the Chest Hospital to treat diseases like pneumonia, asthma and other respiratory illnesses.
Shirley reported that the proceeds from Panfest 2010 would be donated to the National Chest Hospital in an effort to refurbish its intermediate care ward for patients who had extensive surgery and would need greater care and supervision.
Terry Baker, acting senior medical officer at the hospital, gave a brief speech, ending with a quote from Shakespeare.
"If music be the food of love, play on," she said. The curtains opened and the performance began.
The first piece of the night was a soothing, mellow number - just right for an unsettled audience. The second performance, Mas Que Nada, was very different. A Latin mix, the band members were a lot more engaged with the performance as they danced with genuine smiles on their faces.
Noticeably, there was an overwhelming use of the drums during this performance piece. Rookumbine Rondo, a Jamaican folk piece, was played with an uptempo beat, that excited the audience. The song was followed by a special magical surprise perfor-mance by guest panist, Liam Teague.
Teague's first performance was too long, though he displayed much skill with the pan.
Disappointing performance
"The exit was the best part of that presentation," one patron mumbled. The other performances that followed in the first act were Perhaps Love, a love ballad; Violin Concerto in A Minor; Spickle; We All Are One and the two most entertaining of all, a disco-inspired rendition of It's Raining Men and Owl City's Firefly. The best act of the night, complete with theatrics, was It's Raining Men. The sound effects, props and the use of lighting were superb additions to the upbeat energy of the classic hit.
Following a 15-minute intermission, the show's second act had performances of songs such as Pata Pata, Over The Rainbow, Never Change, Chant, and a few others. Teague treated the audience to a second performance that was much better than his initial set. Loud cheers and applause echoed throughout the Philip Sherlock venue when he finished. The pace at which his hands moved and the effortlessness of the motions made it obvious why he was known as the 'Panginini of the Pan'.
At the end of the performance, each section played the separate instruments, showcasing the different sounds each provided. Blended, the sections made one complete and unique melody. When the lights returned, the venue was full.
(Read more: Jamaica Gleaner)
